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How did The London Funeral Singers get started?
Penny was very close to her nan. She sang at her funeral and that was a really, special experience for her, so she knew firsthand how important music is to a funeral service, and what it can do for people.
Penny and I started off singing at funerals ourselves; but people started asking for specific pieces of music that we felt we couldn’t really do justice. However, because we’re in the performing arts, we knew friends of ours that could. So, we started to audition our friends, who are incredible singers, and we kept doing that until we made ourselves obsolete as singers, really!
We stay in the background now and we do the organising. We found there was a real gap for a specialised funeral music service. We try to choose the voices and skill sets that would best fit each funeral.
We just celebrated our 10-year anniversary as a business, which is incredible.
What is so important about music at a funeral?
There is something really specific about the way music interacts with both your emotions and your memory, especially if there's a person right in front of you singing it. It’s just that intangible thing, isn’t it? I think at a funeral you need the space that music provides, which no amount of words will quite match. Maybe with words, there's more of a tendency to intellectualise things. But when it's music, you just let it happen to you, I think.
When Penny and I were both still singing at funerals regularly, we sang at a funeral for a newborn baby. They'd chosen Bright Eyes by Simon and Garfunkel. We started singing, and we just saw this wave go through the whole congregation. I think it gives people permission to feel something.
Have you noticed any changes or trends in the music that people are choosing for funerals?
The things that people are looking for and the styles that people are after are starting to shift. People are trying to really make the funeral about the person who's passed away, and to celebrate them as the person they were.
I get so many people coming to me and saying things like, ‘I don't want anything morbid or sad; my aunt was a really upbeat, happy lady, she had a wonderful life and I really want to celebrate that’. Having a live musical experience is a really special way to do that.
Are a large proportion of your clients looking for sacred music, or is it a blend of sacred and secular?
If they're coming to us, they are possibly looking for something traditional. For example, in Catholic services, there are traditional pieces written specifically for the mass. There’s also the fact that most church choirs aren't available during the week, which is when most funerals happen.
Equally, people who are not having a religious service sometimes come to live music because, if there isn't a religious template for the service, having songs is a way that you can start to build a personalised funeral service.
Music can also help evoke an entire portion of someone's life - if they were in the military, for instance, you can have a bugler play the Last Post.
I think one of my favourite bookings was a person who came to us asking for a violinist to play a Meatloaf medley outside the crematorium as the coffin was going into the chapel.